Harold Pinter’s affiliation with the Royal Shakespeare Company (RSC), the impact of the works he produced there, and his artistic relationship with its founding director Peter Hall are typically discussed in relation to early seminal productions such as The Collection (1962), The Homecoming (1965) or Old Times (1971). These mainstage productions at the Aldwych Theatre – the RSC’s first London base from 1961 to 1983 – have become canonical both … Continue reading →