Lately, as part of my research for the Pinter Histories and Legacies project, I’ve been leafing through Pinter’s scrapbooks in the British Library. Two weeks ago I ran into some materials on various productions of Pinter’s play One for the Road, from 1984. This caught my attention because most of my work on Pinter has focused on his shift after the 1970s into a more explicitly political register. In one … Continue reading →