Harold Pinter at the RSC (Part 2): Reflections on the Archive
One of the consistent pleasures of research into the production histories of Pinter’s theatrical work for this project has been the opportunity to learn from and work with the archivists and librarians at different institutions that hold rich and varied material connected with Pinter’s expansive career. Of course, as with any research strategy – particularly those engaged in revisiting or reassessing traces of past performances – archival research is not … Continue reading →